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THEATER | SANTA FE

Upstart Crows of Santa Fe explore ‘The Importance of Being Earnest’

Oscar Wilde's classic comedy runs Friday, July 31, through Sunday, Aug. 9

Published

‘The Importance of Being Earnest’

Upstart Crows of Santa Fe

WHEN: 6:30 p.m. Friday, July 31, and Saturday, Aug. 1, 2 p.m. Sunday, Aug. 2; repeats through Sunday, Aug. 9

WHERE: The Crows’ Nest, 7 Caliente Road, Building 1 in La Tienda at Eldorado, Santa Fe

HOW MUCH: $15 at 

The Upstart Crows of Santa Fe are staging “The Importance of Being Earnest,” Oscar Wilde’s satire on Victorian high society, from Friday, July 31, through Sunday, Aug. 9.

Caryl Farkas, show co-director, said Upstart Crows, a young actor theater company, began performing “The Importance of Being Earnest” years ago after the troupe saw a production at the Stratford Festival, and the kids fell in love with the show.

“It’s a show that has delighted them,” Farkas said.

She said each production is completely different, and, aside from tricky blocking, things learned in past productions aren’t relevant to present ones.

“You can’t apply what happened last time to this time,” Farkas said. “It’s fresh. It’s completely new. You know, if you’ve done ‘Romeo and Juliet’ 20 times, not one of them was the same.”

The production is also different from other shows in the theater company’s typical season. Usually, Upstart Crows perform a lot of Shakespeare and tragedies, but Farkas said “The Importance of Being Earnest” teaches about more comedic plays.

“It’s very different from Shakespeare, except I think the similarity is that in both cases, you’re dealing with amazing language,” Farkas said. “And so with this, you learn a lot about comic timing and the fact that to be funny, you’ve got to be serious.”

Actors deliver the comedic lines in a serious tone. It’s what makes it funny, she said.

Additionally, the show is distinct because it has a more elaborate set, she said.

“When we do Shakespeare, we have a very bare-bones kind of setup. There’s a balcony on stage, and we don’t have to move anything. Sometimes we bring a chair on, but that’s about it,” Farkas said. “For ‘Ernest,’ we have rugs and sofas and stuffed chairs and tea carts. There’s a lot of props.”

Zinnia Kilpatric, who plays Jack, said she was worried because she leans more toward tragedies and had to figure out how to connect with her character through comedy.

“At first, I was a little scared that I would be like not able to make the jokes resonate with the audience,” Kilpatric said, “but I think that it’s been great working with this company. And they’ve really helped me realize how I can be funny in this show. And it’s been amazing to just have the experience of working with a character that isn’t just tragic all the time.”

As a young actor, Kilpatric said she finds herself doing a more youthful interpretation of Jack.

“I find that I’m really working on playing his earnestness, which I find is very existent in youth,” Kilpatric said. “I think it definitely does put a different spin on the character when you’re performing them as a young person.”

As director, Farkas said she does not direct them differently than she would an adult.

Joel Hoffman, who plays Dr. Frederick Chasuble and Lane, and is the understudy for Algernon, said comedic characters require a different mindset.

“When you’re doing a comic character, you kind of have to think, ‘How do I say this so that the audience laughs?’ and ‘How do I do something a little bit different each night to try something new?’” he said.

Farkas said she used warm-ups to get the cast used to the time period of the show, which is set in British society during the Victorian period, by reading from an etiquette book.

“I have a little book called ‘Don’t,’ and it was my great-grandfather who gave it to his two daughters … it’s a book of etiquette from 1888, and every sentence begins, ‘Don’t,’” she said.

The book gives tips like do not pick up a fork if dropped at dinner, wait for a servant to grab it. Farkas said the cast found the etiquette aphorisms hilarious.

Farkas said the comedy, language and overall story are what make “The Importance of Being Ernest” perfect for a young cast.

“I think it is so well crafted, it’s so well put together that when you see it, it’s a delight to see it,” Farkas said. “And then to be in it is also a delight, but of a completely different kind.”

Elizabeth Secor is an arts fellow for the ϼ. You can reach her at esecor@abqjournal.com.