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ART | ALBUQUERQUE AND SANTA FE

Obama poster artist Shepard Fairey paints two public murals in New Mexico

New art show ‘Shepard Fairey: Cultivate Justice’ open at Turner Carroll Gallery through Aug. 10

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‘Shepard Fairey: Cultivate Justice’

WHEN: 10 a.m. to 6 p.m. daily; through Aug. 10

WHERE: Turner Carroll Gallery, 725 Canyon Road, Santa Fe

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Internationally renowned street artist Shepard Fairey arrived in New Mexico on July 15 to paint two commissioned murals and open a new art exhibition, “Cultivate Justice,” at Santa Fe’s Turner Carroll Gallery.

He completed the first mural at the Santa Fe Art Institute on July 16 and attended a reception at Turner Carroll the following day. Fairey plans to finish the second mural at the Albuquerque Rail Yards this weekend.

The artist described his SFAI mural as more modest than the Albuquerque one.

“It’s not a huge mural,” Fairey said. “But it’s celebrating things that I care about: peace and harmony.”

He said he designed the composition to harmonize with SFAI’s architecture.

“Whenever I work on a mural, I’m thinking about context,” he said.

Work in Progress: Conversations with Creators

Hear more from Shepard Fairey on “Work in Progress: Conversations with Creators.” Visit the podcast section of abqjournal.com to access the latest episode of the show, along with past episodes.

Fairey is perhaps best known for the “Hope” poster he designed for Barack Obama’s 2008 presidential campaign.

“I would never take credit for being somebody who’s dramatically shifted culture in a moment, but there have been some times when things I’ve done have gone viral, where I’ve realized that this is part of a change, this is part of a movement,” Fairey said. “And whether it’s the ‘Hope’ poster for Barack Obama, which I think was inspiring visually to a lot of people … or my ‘We the People’ series that I did for the first Women’s March, which was trying to portray all Americans, no matter what their skin color, religion or heritage, as equally American, equally human, and present them with dignity — I know that moved a lot of people.”

Fairey’s work has always addressed social and political issues, but his approach has evolved over time.

“When I was younger, (I was) recognizing injustice and flaws, and pointing the finger at the villains. There’s still an element of that in some of my work. But what I’ve realized, I think, is that a better approach, especially in our modern time of extreme polarization and division … (is to recognize) how much we have in common,” Fairey said. “… I’ve been doing this for a long time, and I’ve tried every approach. And this is what makes sense to me in terms of helping people to become a little bit more open-minded and to have more humanity in their hearts.”

When Fairey first emerged as a street artist in the 1980s, he was strongly associated with the punk movement.

“In the early years, (punk) was so important that I absolutely wouldn’t be the person that I am now without it … the whole merging of do-it-yourself culture, the rebellion, the socially outspoken lyrics — that had such a profound influence on my art,” Fairey said. “Punk, as an idea, is about freedom. … It’s about finding a community of people who can build an ecosystem together, independent of what the dominant mainstream system is willing to support. And all of that is incredibly important to me still.

“That being said, I also appreciate the punk strategy that, say, the Sex Pistols or The Clash had, of signing to major labels, and — especially The Clash — considering it a strategy of ‘détournement,’ or using the machinery (of pop culture) against itself, as a way of spreading their more radical message through a mainstream channel,” Fairey said.

For his Albuquerque Rail Yards mural, Fairey researched the history of the railroads in New Mexico. He said he wanted to honor the contributions of all railway workers, including Indigenous and Latino laborers.

“A lot of the people who worked here, who were doing very hard physical labor, were people from groups that have been typically marginalized and who don’t always reap the benefits of the work that they do,” Fairey said. “… I wanted to do an illustration of a worker with dignity, so that there’s appreciation for the worker, and not just Latino and Native American workers — even though I think the makeup of the workforce is really important — but ‘the worker’ in general.”

Fairey said he believes art can change society, although the process is unpredictable and sometimes slow.

“I don’t have enough of an ego to say I’m going to be the one that by myself catalyzes change, but as long as I’m doing something that I know is pushing in the direction (of change), you just never know,” Fairey said. “… Who knows when that tipping point is going to be. But I think we all need to feel like we can play a role in it.”

“Shepard Fairey: Cultivate Justice” is on view at Turner Carroll Gallery, 725 Canyon Road, Santa Fe, through Aug. 10. Fairey’s new murals can be seen at SFAI, 1600 St. Michaels Drive #31 in Santa Fe, and at the Albuquerque Rail Yards, 777 First St. SW.

Logan Royce Beitmen is an arts writer for the ϼ. He covers visual art, music, fashion, theater and more. Reach him at lbeitmen@abqjournal.com or on Instagram at .