近距离内射合集

The premiere of Lei Liang鈥檚 鈥淢ongolian Suite No. 2鈥� will headline a program of his works as Chatter presents 鈥淢usic of Lei Liang.鈥�

The piece will be played with David Felberg on violin and Felix Fan on cello. Fan鈥檚 family commissioned 鈥淪uite No. 2,鈥� Liang said.

鈥淭his piece is really about missing home and finding a new home for oneself,鈥� he said.

Liang, a Chinese-born American composer, said the piece took inspiration from Mongolian music and their melodies, which are beautifully expressive.

鈥淭he questions they probe in their tradition, in their music, a lot of their songs are about home, about leaving home, about missing home,鈥� Liang said.

The Mongolians were once the most feared warriors in the world, he said, but they were also always filled with a nostalgia for home, which is reflected in their music.

He said his teacher taught him this genre of music for solace and self-discovery. The music of Mongolians became a medicine for him, and in turn, he has worked to keep it alive, he said.

鈥淚 also engaged in and led effort to preserve Mongolian music that was becoming extinct,鈥� Liang said.

Liang helped release an album with a historical instrument called the choor. It was becoming extinct but in recent years has seen a revival, he said, which he said was rewarding to witness.

The other two compositions in the show are 鈥淢ongolian Suite No. 1鈥� and 鈥淕obi Canticle.鈥� He said both suites were inspired by Johann Sebastian Bach. Liang said Bach has a pattern with his music where, in the middle, he has a sarabande, which is the heart of the whole piece.

鈥淭he first one I did (was) a little bit of the opposite of what Bach did in terms of structure of a cello suite,鈥� Liang said.

Liang said, instead of a collection of outward-dancing music in the sarabande with the middle being more contemplative, 鈥淪uite No. 1鈥� takes the opposite approach, with the middle being the more outward section of the piece. Liang鈥檚 goal is to create six suites in his lifetime.

He said he built the piece as a metaphor 鈥� this is where home is 鈥� and as it continues, the music moves away, like those who move away from home.It becomes harder and harder to hear the music, he said.

鈥淭his song kind of drifts away from us,鈥� Liang said. 鈥淏ut something remains that we know.鈥�

Then, at the end, while a shadow of the song lingers, a new piece emerges.

鈥淚t鈥檚 very much like how we all find ourselves to connect with a new community and build a new home for ourselves, wherever we are,鈥� Liang said.

Elizabeth Secor is an arts fellow from the New Mexico Local 近距离内射合集 Fellowship program. You can reach her at esecor@abqjournal.com.