THEATER | ALBUQUERQUE
‘Somewhere in the Middle of Nowhere’
‘Come From Away’ tells the story of the aftermath of 9/11 — and the small town that rose to the challenge
As the world looks toward the 25th anniversary of 9/11, Musical Theater Southwest is putting a spotlight on days after with “Come From Away.”
Adrianne Elkins, who plays Bonnie, said the show isn’t about 9/11; it’s about the aftermath and the underlying current of tragedy from the day.
“This show is about how a community took care of people on 9/12,” she said.
“Come From Away” tells the true story of the town of Gander, Newfoundland, Canada, which hosted over 6,000 passengers from various grounded flights after the attacks on the Twin Towers. The process of landing all the planes in Canada was called Operation Yellow Ribbon, Elkins said.
“It’s crazy to me that people don’t know about that. That never really made the history book,” she said. “But how freaking cool is it that somebody took the time to build this show to celebrate the fact that this tiny region took in all these people purely because they had a big enough airport.”
She said Gander represents how, in times of crisis, there is a decision about “whether or not we’re going to fold” or be helpers.
Elkins said the folksy score makes “Come From Away” special and includes instruments like a mandolin, fiddle and piccolo.
“If you go to a lot of musical theater, you’re gonna notice right away that it’s a different style,” she said.
Along with its unique musical theater genre, Elkins said the way the score is built is a bit diabolical. The music changes and captures the profound and pervasive loss, moving the audience to tears, she said.
“We go from heartbreaking to super upbeat, fun, high-pacing, let’s get the banjo in,” Elkins said, “and then before you know it, the next song is devastating.”
Jesse Miller, who plays Kevin T., was familiar with the play before starring in it and said he has always had a soft spot for the song “Somewhere in the Middle of Nowhere.”
“I think it’s one of the best pieces of the show, where basically everybody gets to kind of go back home after realizing how much community really means to them and how much relationships mean to them,” Miller said.
Each actor plays a central arc character, Elkins said, along with background roles. Elkins’ main role is Bonnie Harris, whose real-life counterpart worked for an animal welfare organization. Harris broke into the grounded planes to rescue animals stranded in the cargo holds.
“There’s the character you’re playing, which is like a caricature sort of, that’s been developed by this director, this writer, to sort of tell some thematic thread of it,” Elkins said. “And then there’s the real person that you know exists, but is being charactered.”
She said when she first saw the notes for Bonnie describing her as brash if she doesn’t get her way, she wondered what the real Harris felt being reduced to one line.
Elkins also plays other roles, all background characters, but she said these background roles help guarantee there’s no singular main character.
“You have your moment that you’re telling the story …,” Elkins said, “and then you become like a secondary character so that someone else can tell they are part of their story, and so we shift back and forth to support one another’s vignettes.”
Miller said having multiple roles has been one of his favorite parts of the show, and “it stretches the acting ability for everybody as well.”
Once on stage, people rarely leave, switching between accents and costuming hidden around the set to differentiate characters.
The cast has 16 actors, including some born after 9/11. Throughout rehearsals, Miller said he has enjoyed hearing the younger actors’ thoughts on the show.
“It’s also kind of nice to have a little bit of a different perspective on 9/11,” Miller said. “Especially for people who may not even remember that time period, people who may not have even been born during that time period.”
Elkins said in today’s political climate, shows like “Come From Away” are essential.
“To be a member of a community and to enjoy the privileges of a community, there is also a price we pay,” Elkins said. “Which is that sometimes we have to put a lot into that community to take care of other people.”
“Our world moves forward because there are people who are willing to do what has to be done — to pull animals off of a plane, to feed and house 7,000 people.”
Elizabeth Secor is an arts fellow for the ϼ. You can reach her at esecor@abqjournal.com.
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