MUSIC | SANTA FE
Out on a high note
Guillermo Figueroa’s final season as Santa Fe Symphony’s music director loaded with classical hits
The Santa Fe Symphony Orchestra and Chorus opens their 2026-2027 season with a sold-out concert on Sunday, Sept. 13, that pairs Ludwig van Beethoven’s Symphony No. 5 in C Minor, Op. 67 — better known as “Beethoven’s Fifth” — with Pyotr Ilyich Tchaikovsky’s Piano Concerto No. 1 in B-flat minor, Op. 23. The season continues with nine more concerts, culminating with Giuseppe Verdi’s “Requiem Mass” on Saturday, May 15. All concerts will be performed at The Lensic Performing Arts Center.
“As always, when we plan the seasons, we strive to make a judicious combination of things that are very well known with other works that might be not as well known, or they’re new but very interesting,” Guillermo Figueroa, the symphony’s principal conductor and music director, said. “Of course, there’s hardly anything better known than ‘Beethoven’s Fifth,’ so I thought that was a perfect way to begin the season, combined with one of the most popular piano concertos of all, by Tchaikovsky. I’ve done these pieces together in the past at other orchestras, so I know it works really well, and, of course, it’s a great crowd-pleaser.”
This will be Figueroa’s 10th and final season as the symphony’s music director. He began his tenure in 2016 following a nearly three-year search.
“As Music Director Guillermo Figueroa’s final full season, each concert is a celebration of his lasting legacy,” the Santa Fe Symphony said in a statement.
Figueroa was modest about his role in shaping the symphony’s programming and identity, emphasizing the collaborative nature of the institution.
“We have a programming committee, and we meet months in advance of every season and discuss ad nauseam all the programs. The discussions get very, very animated, sometimes very intense, because everybody wants to make sure that their pet pieces are programmed,” Figueroa said. “It’s a difficult process, but it’s one that is very rewarding, because I think we come up with terrific programs in the end. But most importantly, the musicians are really invested in the programs.”
Figueroa said the programming committee includes musicians from the orchestra, in addition to board members and staff.
“I think it’s very empowering for the musicians, and it’s a really, really good process,” Figueroa said. “Even though it’s tedious, it works.”
The new season will shine a spotlight on the chorus.
“One of the big emphases this whole season is to give an even bigger role to the chorus,” Figueroa said. “We have a fantastic chorus led by Carmen Flórez-Mansi, and they always sing in every season, of course, but this year they’re going all out. They’re doing something that is very familiar and beloved, which is (George Frideric Handel’s) ‘Messiah,’ of course, but we combine that in our October program with a really fascinating work, which is ‘The Bells’ by (Sergei) Rachmaninoff.”
Figueroa said most people associate Rachmaninoff with his piano concertos. Fewer are familiar with “The Bells,” a choral symphony set to the words of Edgar Allan Poe, in which Rachmaninoff uses tubular bells, a celesta and a glockenspiel to evoke the sleigh bells, wedding bells, alarm bells and funeral bells of Poe’s poem.
“It’s very colorful, if slightly gloomy, but that’s how Poe’s poems are, usually, and it’s an incredible work,” Figueroa said. “… That, to me, is a huge highlight of the season.”
The orchestra will perform “The Bells” on Oct. 18 as part of a Halloween-themed concert, which will also feature Franz Schubert’s “Unfinished” symphony and Camille Saint-Saëns’ “Danse macabre, Op. 40,” a piece meant to evoke dancing skeletons.
The symphony will then perform Handel’s “Messiah” twice in November and two winter concerts — “Sounds of the Season” and “Holiday Movie Magic” — in December.
“Holiday Movie Magic” will feature music from the soundtracks of classic holiday films, including “The Polar Express,” “Home Alone,” “It’s a Wonderful Life,” “A Charlie Brown Christmas,” “Frozen” and “Elf.” “Sounds of the Season” will include non-holiday-related songs, as well.
“For ‘Sounds of the Season’ in the past, we’ve mostly done things that are Christmas-related. … This year, we decided to change it and not focus on holiday themes particularly, but rather the (winter) season. For instance … we’ll be playing ‘Winter’ from (Antonio) Vivaldi’s ‘The Four Seasons.’ So, it’s a little bit more of a classical program, but all with works that reflect the season of winter in one way or another. So, we’re very excited about that. And in that concert, we will have the members of the Santa Fe Youth Symphony join us onstage.”
Members of the Santa Fe Youth Symphony will sing in the March 21 “Beethoven and Korngold” concert, as well, performing the overture to Antonín Dvořák’s “Carnival.” That concert will also mark the Santa Fe Symphony debut of internationally renowned violinist Benjamin Beilman, who will play Erich Wolfgang Korngold’s Violin Concerto in D major, Op. 35.
“I’m particularly excited about working again with Benjamin Beilman. He’s an extraordinary violinist,” Figueroa said. “He’s a former pupil of Ida Kavafian, incidentally, at the Curtis Institute. So, it’ll be nice to have them both in back-to-back concerts.”
Kavafian will play alongside Figueroa himself for the April 11 program, “Guillermo and Ida.” They will play together on Wolfgang Amadeus Mozart’s “Sinfonia Concertante,” with Kavafian on violin and Figueroa on viola. Kavafian will then perform the regional premiere of Richard Danielpour’s “Fiat Lux,” a work she premiered last year at the Curtis Institute, where she teaches.
“A friend of mine for many, many years, Ida Kavafian is one of the preeminent violinists of our time,” Figueroa said. “… I’ve known her since our teenage days at Interlochen’s music camp, and then Juilliard.”
For a complete schedule and description of all 2026-2027 concerts, or to purchase tickets, visit . Figueroa predicts a blockbuster season.
“Definitely buy your tickets early,” Figueroa said. “We’ve been doing very well. We did very well last year with our sales, and we’re very happy with the response from the audience.”
Logan Royce Beitmen is an arts writer for the ϼ. He covers visual art, music, fashion, theater and more. Reach him at lbeitmen@abqjournal.com or on Instagram at .
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